油灯

《油灯》这部电影很有生活气息。片名看似柔弱，实则沉重，看着赫兹导演用长镜头默默注视，你会跟着剧中人的无奈一起叹气，看着那盏破油灯忽明忽暗，仿佛看见了那个时代普通人摇摇欲坠的希望。这种全家人凑在一起，在灯油即将耗尽时的琐碎与挣扎，最能击中普通人的软肋。看着彼得·采佩克和玛丽·罗苏尔科娃在时代风浪里挣扎，想活出个样儿却又被环境死死按住，那种无力感特别真实。故事被一股淡淡的忧郁包裹，聚焦于生活里那些甚至称不上是挫折的琐碎与尴尬。赫兹导演用近乎散文的笔触，将1948年后捷克斯洛伐克一个普通工薪家庭细碎的日常搬上银幕。

In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.

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