鬼面具：伤痕

哎，我跟你说，《鬼面具：伤痕》这片子挺特别的。导演Takeshi Sone用非线性的碎片剪辑制造时间错位，让观众与主角一同在记忆废墟中摸索——面具既是道具也是隐喻，每一次佩戴都意味着身份的又一次碎裂。看完好几天脑子里还回放着那个面具背后的表情，后劲太大了。剧情不急着揭谜底，反而花时间让你跟着人物一起憋闷、一起在昏暗的房间里翻找自己过去的碎片。 几个演员演得真好，广泽草和伊藤早由利尤其厉害，一个眼神就能把你拉进情绪里。导演Takeshi Sone没有依赖一惊一乍的吓人手法，而是用大量面部特写（尤其广泽草在面具边缘露出的半张脸）来传递那种压抑的、渗入骨血的心理崩塌。

Miyu went to Seoul, Korea to study and look for her older sister who went missing two years ago. One day Miyu got to know Hana who was a famous plastic surgeon and she reminded of her missing sister. Hana lives with her lover Hyoshin, but she got attracted by Miyu. And Nyoshin felt jealous of Miyu. Miyu thought that Hana is actually her older sister and asked her to tell the truth. Hyoshin saw two of them talking and killed Hana because of jealous. Hyoshin tried to kill Miyu next and Miyu realized Hyoshin is her sister who had plastic surgery and changed her face. Finally Hana stuck a knife into herself because she knew Miyu always values her sister. Miyu survived, but lost her precious sister.

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